Starring Sydney’s Kaila Hart, the striking campaign blends together elements of Classical and Art Nouveau and splashes them with colours that probably hadn’t even been invented in 500BC. Shot by Thom Kerr in a Bankstown prop department before being showered in a kaleidoscope of tie-dye purples and Hulkish neon green, it paints a picture that could make even ancient Roman sex practices seem dull.
Against such a glaring backdrop, it’s no small feat that the clothing still demands attention. McCall’s signature intricate prints and embroidered details snake their way over would-be girly mini dresses, while delicately modern cut-outs put a daring spin on flowing Grecian gowns. Finished with gleaming armour-esque bangles and hair straight from the pages of a graphic novel, this is McCall at her most covetable.
Images via Chic Management’s blog.
